I have a question for the Firefly fans/Browncoats in the audience. Well, two questions.
1. How come everybody was so moved by Wash's death and not by Book's? I've counted at least twice as many OMGWTFWASH posts as Book posts, if you include the reviews from the workprint previews.
2. I wanted to see the final edition first, so I avoided the workprint previews. Were there any differences in scenes or story? Or was it just adding extra CGI, audio effects and credits?
- Music:The Tripp, "LSD (Trippy Tribal Mix)"


Comments
i found wash's death particular cheap. joss does that sometimes -- kills a character kind of offhandedly because SHOCKING DEATH HAPPENS. but much of the time, it's just cheap. (wash: cheap. jennie calendar: not cheap. just for example)
Not every good character gets a great death speech.
I think the other thing that helps the audience feel more grief for Wash was that we get to see his wife trying to deal with the death, which adds a little more weight to it.
Personally, I think I prefer Book as a character, but I was still pretty choked up at the end.
Also, I just liked Wash as a character a lot more. Although I will lament not being able to find out more about Book's background, and I didn't dislike Book in the slightest, I just had a greater character love for Wash. I think it was the dinosaurs that did it. :)
Wash's death on the other hand felt really unfair, but I understand (not being a big fan of his other works) that this is typical Joss. My friend
Audience: JOSS! Curse your sudden but inevitable betrayal!
Joss: Ha ha! Mine is an evil laugh!
I felt, and have heard other echo, that Wash barely had enough screen time for the audience to truly understand how deep that betrayal goes, and that's the one part I worry will lose the non-fan audience a bit.
And I didn't see the preview, so I can't answer anything else.
So I'm that reviewer you're looking for, but since I didn't want to say anything about who was biting it, it's heavily obscured.
Wash had the one-liners, but Book had the soul.
Of course, it could also be argued that all my attention was on Nathan Fillion, so I could have just been heavily distracted. ;)
Personally, I was much more upset by Book's death. Both, however, made perfect sense, in the context of the story. This is the bigest objection I've heard, "It didn't make any plot sense," which is foolish.
First, what did Zoe say at the beginning og the movie? "A hero is someone who gets other people killed." For Mal to really be a hero, he had to get other people killed. Second, Wash had a "moment," something no one else really got. He was the only person who could do what he did, and he did it beautifully. After that, he no longer served a purpose. Third, Alan Tudyk is really, really hard to schedule around. Almost as hard as Ron Glass, which is a meta-reason both these characters died: it will make a sequal easier to schedule. Fourth, it made the last half hour of the movie really, really tense. With Wash dead, all of a sudden, every rule was out the window. Anyone could die at any time. As a result, those of us who are sci-fi-movie jaded were jolted each and every time another character was threatened. If Wash hadn't died, Zoe taking the axe to the back, Kaylee taking the dart to the neck and Simon being shot wouldn't have had the same impact.
I loved that Wash died, from a creative standpoint.
I also think that Wash and Book dying were both part of Mal's arc. To complete his transition to Hero, Mal had to lose everything. First his father figure, Book. Then his fallback places, "anyone who's sheltered us after a job." Then his ship. Then his crew (who he had to leave behind). In the end, it was Hero vs. Nameless Adversary, in grand literary tradition. For me, this made Mal more of a Hero than he had been in the series. (I capitalize Hero because I mean it in the classic sense, rather than "heroic person," I mean "character with a grand destiny.")
(And now, I'm going to snag this comment and expand it for my own post on the subject...)
If there's a sequel, and I hope there is, I want to see how Mal's relationship to Inara develops. Is she Mal's Guinevere, his Cassandra, his Helen, or his Morgan la Fay?
I've noticed before that you seem to have a severe aversion to highly stylized dialog. Ever watched an Aaron Sorkin show, like Sports Night or West Wing? He's another one who tends to give his characters a very idiosyncratic speech style.
I mention it only because you seem to be much more forgiving of stylized dialog in comics than you are in TV shows. Is that valid, do you think, or just my perception?
But yes, I tend to believe dialogue like Whedon's (which I trace back to the Giffen/DeMatties JLI of the late 80s/early 90s in a lot of ways and I suspect he'd agree with me) reads a lot better to me than it sounds. There's a big difference between reading and hearing, as I'm sure you'd agree.